Resources

Phrenology

Alberti, Fay Bound. “Mind the Brain: From ‘Cold Wet Matter’ to the Motherboard.” This Mortal Coil: The Human Body in History and Culture, Oxford: Oxford University Press, 2016. 111-135.

Andersson, Axel, and Scott Magelssen. “Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial.” Theatre Journal 69 (2017): 175-195.

Anonymous. A Lecture on heads. By a gentleman remarkable for his wit and humor. Dublin, No pub., 1769. British Library.

Ardenghi, Lilian Pozzer, and Wolff-Michael Roth. Staging and Performing Scientific Concepts: Lecturing is Thinking with Hands, Eyes, Body, and Signs. Rotterdam; Boston: Sense Publishers, 2010.

Armstrong, Mary A. “Reading a Head: Jane Eyre, Phrenology, and the Homoerotics of Legibility.” Victorian Literature and Culture 33.1 (March 2005): 107-132.

Asleson, Robyn, Shelley Bennett, Mark Leonard, Shearer West. Sarah Siddons and Her Portraitists. Los Angeles: The J. Paul Getty Museum, 1999.

Asmodeus, Don Juan. [pseudonym for Jonathan Wooler, aka The Black Dwarf], A Political Lecture on Heads, alias Blockheads!! London: John Fairburn, 1819.

Bakan, David. “The Influence of Phrenology in Early American Thought.” American Journal of Psychiatry 111 (1958): 535-8.

Balme, Christopher B. “The Bandmann Circuit: Theatrical Networks in the First Age of Globalization.” Theatre Research International 40.1 (Feb. 2015): 19-36.

Bank, Andrew. “Of ‘native skulls’ and ‘noble caucasians’: phrenology in colonial South Africa.” Journal of Southern African Studies 22.3 (1996): 387-403.

Barad, Karen. “Posthumanist Performativity: Towards an Understanding of How Matter Comes to Matter.” signs 28.3 (Spring 2003): 801-831.

Barker, F.G. II. “Phineas Among the Phrenologists: The American Crowbar Case and 19th-Century Theories of Cerebral Localization.” Journal of Neurosurgery 82.4 (1995): 672-82.

Bartleet, Carina, and Kirsten Shepherd-Barr. “New Directions in Theatre and Science: Guest Editorial.” Interdisciplinary Science Review 38.4 (2013): 292-294.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010.

Bernstein, Robin. “Dances with Things: Material Culture and the Performance of Race.” Social Text 27.4 (2009): 67-94.

Blair, Rhonda. The Actor, Image, and Action: Acting and Cognitive Neuroscience. Routledge: 2007.

Boyle, Shane Michael. “Container Aesthetics: The Infrastructural Politics of Shunt’s The Boy Who Climbed Out of His Face.” Theatre Journal 68.1 (March 2016): 57-77.

Brown, Bill, A Sense of Things: The Object Matter of American Literature. Chicago: University of Chicago Press, 2003.

Cabranes-Grant, Leo. From Scenarios to Networks: Performing the Intercultural in Colonial Mexico. Chicago: Northwestern University Press, 2016.

Cabranes-Grant, Leo. “From Scenarios to Networks.” Theatre Journal 63.4 (December 2011): 499-520.

“Calves Heads and Brains, or A Phrenological Lecture,” Center for the History of Medicine, Harvard University, http://collections.countway.harvard.edu/onview/items/show/6158, accessed 25 Aug. 2015.

Cantor, G.N. “The Edinburgh Phrenology Debate, 1803-1828.” Annals of Science 32.3 (1975): 195-218.

—. “A Critique of Shapin’s Social Interpretation of the Edinburgh Phrenology Debate.” Annals of Science 32.3 (1975): 245-256.

Case, Sue-Ellen. Performing Science and the Virtual. New York: Routledge, 2006.

Chen, Mel Y. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Durham and London: Duke University Press, 2012.

Clinton, Catherine, ed. Fanny Kemble’s Journals. Cambridge, Mass and London: Harvard UniversityPress, 2000.

Colbert, Charles. A Measure of Perfection: Phrenology and the Fine Arts in America. Chapel Hill, NC: University of North Carolina Press, 1997.

Combe, George. The Constitution of Man Considered in Relation to External Objects. 6th ed. Edinburgh: Maclachlan, 1851.

—. Elements of Phrenology. Edinburgh: John Anderson Jun., 1824

—-. “Report Upon the Cast of Miss Clara Fisher [1820],” in Clara Fisher Maeder, Autobiography of Clara Fisher Maeder, ed. Douglas Taylor (New York: Burt Franklin, 1897 [1979), 107-113.

—-. A System of Phrenology, 3rd edition. Edinburgh: John Anderson Jun., 1830.

Cooter, Roger. The Cultural Meaning of Popular Science: Phrenology and the Organization of Consent in Nineteenth-Century Britain. Cambridge: Cambridge University Press, 1999 [1984].

—. “Phrenology and British alienists, c. 1825-1845. Part I: Converts to a doctrine.” Medical History 20.1 (January 1976): 1-21.

—. “Phrenology and British alienists, c. 1825-1845. Part II: Doctrine and practice.” Medical History 20.2 (April 1976): 135-151.

Creed, Barbara, and Jeanette Horn, eds. Body Trade: Captivity, Cannibalism and Colonialism in the Pacific. New York: Routledge, 2001.

Cross, Lezlie. “The Linguistic Animation of an American Yorick,” in Performing Objects and Theatrical Things, ed. Marlis Schweitzer and Joanne Zerdy, 63-75 Basingstoke; Palgrave Macmillan, 2014.

Dames, Nicholas. “The Clinical Novel: Phrenology and ‘Villette’.” NOVEL: A Forum on Fiction 29.3 (Spring 1996): 367-390.

Davies, John D. Phrenology: Fad and Science, A 19th-Century American Crusade. New Haven, CT: Yale University Press, 1955 [1971].

Davis-Fisch, Heather. Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition. Basingstoke, Palgrave Macmillan, 2012.

Davis, Jim. “Representing the Comic Actor at Work: The Harlow Portrait of Charles Mathews.” Nineteenth Century Theatre and Film 31.2 (Winter 2004): 3-15.

Davis, Tracy C. “‘Reading Shakespeare by Flashes of Lightning,’: Challenging the Foundations of Romantic Acting Theory.” ELH 62.4 (Winter 1995): 933-954.

De Guistino, David. Conquest of Mind: Phrenology and Victorian Social Thought. New York: Routledge, 1975.

Demastes, William. Staging Consciousness: Theater and the Materialization of Mind. Ann Arbor: University of Michigan Press, 2002

Dobbs, David. “Fact or Phrenology?” Scientific Mind (April 2005): https://www.scientificamerican.com/article/fact-or-phrenology/

Don Juan Asmodeus [pseudonym for Jonathan Wooler, aka The Black Dwarf], A Political Lecture on Heads, alias Blockheads!! London: John Fairburn, 1819.

Douglas, Bronwen and Ballard, Chris, eds. Foreign Bodies: Oceania and the Science of Race 1750-1940. Canberra: ANU Press, 2008.

Edinburgh Phrenological Society. Transactions of the Phrenological Society. Edinburgh, John Anderson Jun., 1824.

Engel, Laura. Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making, Columbus: Ohio State University Press, 2011.

Falletti, Cecilia, Gabrielle Sofia, and Victor Jacono, eds. Theatre and Cognitive Neuroscience. London: Bloomsbury, 2016.

Faux, Steven F. “Cognitive neuroscience from a behavioral perspective: A critique of chasing ghosts with Geiger counters.” Behavior Analyst 25.2 (Oct. 2002): 161-173.

Feldman, Anna – “STEAM Rising”http://www.slate.com/articles/technology/future_tense/2015/06/steam_vs_stem_why_we_need_to_p\ut_the_arts_into_stem_education.html

Ferber, Sarah, and Sally Wilde. The Body Divided: Human Beings and Human ‘Material’ in Modern Medical History, Routledge, 2016.

Fforde, Cressida. Collecting the Dead. London: Duckworth, 2004.

Fforde, Cressida, Jane Hubert and Paul Turnbull, eds. The Dead and their Possessions: Repatriation in Principle, Policy and Practice. London: Routledge, 2004.

Filewod, Alan. “Regiments of the Theatre: Reenactment in Theatre and Military Culture. TheatreResearch in Canada 25.1-2 (Spring and Fall 2004):https://journals.lib.unb.ca/index.php/tric/article/view/4652/5514

Fyfe, Aileen, and Bernard Lightman, eds. Science in the Marketplace: Nineteenth-Century Sites and Experiences. Chicago and London: University of Chicago Press, 2007.

Goodall, Jane. Performance and Evolution in the Age of Darwin: Out of the Natural Order. London: Routledge, 2002.

Greenblatt, Samuel H. “Phrenology in the Science and Culture of the 19th Century.” Neurosurgery 37.4 (1995): 790-805.

Gribben, Alan. “Mark Twain, Phrenology and the ‘Temperaments’: A Study of Pseudoscientific Influence.” American Quarterly 24.1 (March 1972): 45-68.

Hacking, Ian. Rewriting the Soul: Multiple Personality and the Sciences of Memory. Princeton, NJ: Princeton University Press, 1998.

Hamilton, CS. “‘Am I Not a Man and a Brother?’ Phrenology and Anti-Slavery.” Slavery and Abolition 29.2 (2008): 173-187.

Harvie, Jen. Fair Play: Art, Performance and Neoliberalism. Basingstoke: Palgrave Macmillan, 2013.

Horn, David. The Criminal Body: Lombroso and the Anatomy of Deviance. New York: Routledge, 2003.

Hungerford, E. “Poe and Phrenology.” American Literature 2.3 (Nov. 1930): 209-231.

—. “Fanny Kemble Reads Shakespeare: Her First American Tour, 1849-50.” Theatre Survey 24.1 (May 1983): 77-98.

Jackson, Anthony, and Jenny Kidd. Performing Heritage: Research, Practice, and Innovation in Museum Theatre and Live Interpretation. Manchester: Manchester University Press, 2010.

Jones, Amelia. “Material Traces: Performativity, Artistic ‘Work,’ and New Concepts of Agency,” TDR 59.4 (Winter 2015): 18-35.

Kahan, Gerald. George Alexander Stevens and the Lecture on Heads. Athens: University of Georgia Press, 2008 [1984].

Kakaliouras, Ann. “An Anthropology of Repatriation: Contemporary Physical Anthropological and Native American Ontologies of Practice.” Current Anthropology 53.3 (2012): 210-221.

Kaufman, Matthew H. Edinburgh Phrenological Society: a History, Edinburgh, 2005.

Kember, Joe, John Plunkett, and Jill A. Sullivan. Popular Exhibitions, Science and Showmanshi, 1840-1910, London: Pickering and Chatto, 2012.

Kemble, Frances Ann. Record of a Girlhood, New York: Holt, 1883.

Kemble, Frances Ann. Records of a Later Life, New York: Holt, 1882.

Laskowski, Amy. “Archaeologists Reenact 19th-Century Mummy Ritual.” BU Today 31 October 2016, https://www.bu.edu/today/2016/mummy-ritual-reenactment/

Latour, Bruno. Reassembling the Social: An introduction to actor-network theory. Oxford: Oxford University Press, 2007.

Latour, Bruno. Science in Action: How to Follow Scientists and Engineers Through Society, Cambridge: Harvard University Press, 1987.

Law, John. “Actor Network Theory and Material Semiotics.” 25 April 2007, http://www.heterogeneities.net/publications/Law2007ANTandMaterialSemiotics.pdf.

Lightman, Bernard. Victorian Popularizers of Science: Designing Nature for New Audiences. Chicago: University of Chicago Press, 2007.

Livingstone, David N., and Charles W.J. Withers, eds. Geographies of Nineteenth-Century Science, Chicago: University of Chicago Press, 2011.

Lundy, John K. “Physical Anthropology in Forensic Medicine.” Anthropology Today 2.3 (1986): 14-17.

MacDonald, Helen. Human Remains: Dissection and its Histories. New Haven: University of Connecticut Press, 2006.

—. Possessing the Dead. Melbourne: Melbourne University Press, 2010.

MacIntyre, Alasdair. “Hegel on Faces and Skulls.” Reprinted in MacIntyre, The Tasks of Philosophy: Selected Essays. Cambridge: Cambridge University Press, 2006. 75-85.

Maeder, Clara Fisher. Autobiography of Clara Fisher Maeder. New York: The Dunlap Society, 1897.

Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. Ann Arbor: University of Michigan Press, 2014.

McCalman, Iain, and Paul A. Pickering, eds. Historical Reenactment: From Realism to the Affective Turn. Basingstoke, Palgrave Macmillan, 2010.

McCandless, Peter. “Mesmerism and Phrenology in Antebellum Charleston: ‘Enough of the Marvellous’.” The Journal of Southern History 58.2 (May 1992): 199-230.

McConachie, Bruce. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. New York: Palgrave Macmillan, 2008.

—. Theatre & Mind. Basingstoke: Palgrave Macmillan, 2012.

McConachie, Bruce, and F. Elizabeth Hart, eds. Performance and Cognition: Theatre studies and the cognitive turn. Routledge, 2006.

McLaren, Angus. “A Prehistory of the Social Sciences: Phrenology in France.” Comparative Studies in Society and History 23 (1981): 3-22.

Mermikides, Alex, GIanna Bouchard, John Lutterbie, eds. Performance and the Medical Body. London: Bloomsbury, 2016.

Mol, Annemarie. The Body Multiple: Ontology in Medical Practice. Durham, NC: Duke University Press, 2003.

Monks, Aoife. “Human Remains: Acting, Objects, and Belief in Performance.” Theatre Journal 64.3 (October 2012): 355-371.

Moody, Jane. “Stolen Identities: Character, Mimicry and the Invention of Samuel Foote,” Theatre and Celebrity in Britain: 1660-2000. Ed. Mary Luckhurst and Jane Moody. Palgrave Macmillan, 2005. 65-89.

—. “The Two Cultures of Electricity: Between Entertainment and Edification in Victorian Science.” Science and Education 16.6 (June 2007): 593-602.

Morus, Iwan Rhys. Frankenstein’s Children: Electricity, Exhibition, and Experiment in Early- Nineteenth-Century London. Princeton, NJ: Princeton University Press, 2014 [1998].

—. “Placing Performance,” Isis 101.4 (December 2010): 775-778.

—. “Worlds of Wonder: Sensation and Victorian Scientific Performance.” Isis 101 (2010): 806-816.

Mullenix, Elizabeth Reitz. “‘So Unfemininely Masculine’: Discourse, True/False Womanhood, and the American Career of Fanny Kemble.” Theatre Survey 40.2 (November 1999): 27-42.

Panzanelli, Roberta, and Julius Ritter von Schlosser. Ephemeral Bodies: Wax Sculpture and the Human Figure. Los Angeles: Getty Research Institute, 2008.

Parssinin, T.M. “Popular Science and Society: The Phrenology Movement in Early Victorian Britain.” Journal of Social History 8.1 (Autumn 1974): 1-20.

Pascoe, Judith. The Sarah Siddons Audio Files: Romanticism and the Lost Voice. Ann Arbor: University of Michigan Press, 2011.

Pickering, Andrew. The Mangle of Practice: Time, Agency, and Science. Chicago: University of Chicago Press, 1995.

Qureshi, Sadiah. Peoples on Parade: Exhibition, Empire and Anthropology in Nineteenth-Century Britain. Chicago: University of Chicago Press, 2011.

Rafter, Nicole. “The murderous Dutch fiddler: Criminology, history and the problem of phrenology.” Theoretical Criminology 9.1 (2005): 65-96.

Reynolds, Paige A. “A Theatre of the Head: Material Culture, Severed Heads, and the Late Drama of Y.B. Yeats,” Modern Drama 58.4 (Winter 2015): 437-460.

Richardson, Ruth. Death, Dissection and the Destitute: The Politics of the Corpse in Pre-Victorian Britain. Chicago: University of Chicago Press, 2000.

Roach, Joseph. The Player’s Passion: Studies in the Science of Acting. Newark: University of Delaware Press, 1985.

Robinson, Aileen. “‘All Transparent’: Pepper’s Ghost, Plate Glass, and Theatrical Transformation.” Performing Objects and Theatrical Things. Ed. Marlis Schweitzer and Joanne Zerdy. Basingstoke: Palgrave Macmillan, 2014. 135-148.

—. “Knocking For Air: the Diving Bell and Interactivity in Nineteenth-Century London.” Nineteenth Century Theatre and Film 41.1 (2014): 38-53.

Roginski, Alexandra. The Hanged Man and the Body Thief: Finding Lives in Museum Mystery. Monash University, 2015.

Roque, Ricardo. Headhunting and Colonialism: Anthropology and the Circulation of Human Skulls in the Portuguese Empire, 1870-1930. Basingstoke: Palgrave Macmillan, 2010.

Schaal, David W. “Naming Our Concerns About Neuroscience: A Review of Bennett and Hacker’s Philosophical Foundations of Neuroscience.” Journal of the Experimental Analysis of Behavior 84.3 (Nov. 2005): 683-692.

Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.

Schweitzer, Marlis. “Casting Clara Fisher: Phrenology, Protean Farce, and the ‘Astonishing’ Career of a Child Actress,” Theatre Journal 68.2 (May 2016): 167-190.

—. Transatlantic Broadway: The Infrastructural Politics of Global Performance. Basingstoke: Palgrave Macmillan, 2015.

Senseman, W.M. “Charlotte Bronte’s Use of Physiognomy and Phrenology.” Bronte Society Transactions 12.4 (1954): 286-289.

Shapin, Steven, and Simon Schaffer. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton: Princeton University Press, 1985.

Shepherd-Barr, Kirsten. Science on Stage: From Doctor Faustus to Copenhagen. Princeton: Princeton University Press, 2006 [2012].

Shepherd-Barr, Kirsten E. Theatre and Evolution from Ibsen to Beckett. New York: Columbia University Press, 2015.

Shteir, Ann B. Figuring it Out: Science, Gender, and Visual Culture. Hanover, NH: Dartmouth College Press: Published by University of New Haven Press, 2006.

Siddons, Henry. Practical Illustrations of Rhetorical Gesture and Action: Adapted to the English Drama from a Work on the Subject by M. Engel, 2nd ed. London: Sherwood, Neely, and Jones, 1822 [1807].

Simpson, Moira. Making Representations: Museums in the Post-Colonial Era, London: Routledge, 1996.

Smith, Tiffany Watt. On Flinching: Theatricality and Scientific Looking from Darwin to Shell Shock. Oxford: Oxford University Press, 2015.

—. “Eating Imaginary Raisins: Theatre’s Role in the Making of Micro-neurons.” Studies in Theatre and Performance 36.1 (2016): 17-20.

—. “Of Hats and Scientific Laughter.” Staging Science: Scientific Performance on Street, Stage and Screen. Ed. Martin Willis. Basingstoke: Palgrave Macmillan, 2016. 59-82.

Spurzheim, J G. Phrenology: or the Doctrine of the Mental Phenomena, vol. 1. New York: Harper and Brothers, Publishers, 1855.

Stack, David. Queen Victoria’s Skull: George Combe and the Mid-Victorian Mind. London: Bloomsbury, 2008.

Staum, Martin. “Physiognomy and Phrenology at the Paris Athenee.” Journal of the History of Ideas 56.3 (July 1995): 443-462.

Stevens, George. Lecture on Heads. Dublin: No pub., 1788. British Library.

—. A Lecture on Heads… with additions by Mr. Pilon; as delivered by Mr. Charles Lee Lewes. London, No pub., 1806. British Library.

—. Methodist Sermon, from G.A. Stevens’s Lecture on heads. London: Sheppard, 1800 [?]. British library.

Stoehr, T. “Physiognomy and Phrenology in Hawthorne.” The Huntington Library Quarterly 37.4 (Aug. 1974): 355-400.

Tomlinson, Stephen. Head Masters: Phrenology, Secular Education, and Nineteenth-Century Social Thought. Tuscaloosa: University of Alabama Press, 2005.

Tosh, John. Manliness and Masculinities in Nineteenth-century Britain: Essays on Gender, Family, and Empire, Cambridge: Cambridge University Press, 2005.

Turnbull, Paul. “Ancestors, not Specimens: Reflections on the Controversy over the Remains of Aboriginal People in Europe Scientific Collections.” Electronic Journal of Australian and New Zealand History (April 1997): 1-18.

—. “‘Rare Work amongst the Professors’: the Capture of Indigenous Skulls within Phrenological Knowledge in Early Colonial Australia,” in Body Trade: Captivity, Cannibalism and Colonialism in the Pacific. Ed. Barbara Creed and Jeanette Horn. New York: Routledge, 2001.

Turnbull, Paul, and Michael Pickering. The Long Way Home: The Meaning and Values of Repatriation, New York: Berghahn Books, 2010.

Ulrich, Laurel Thatcher et al. Tangible Things: Making History Through Objects, Oxford: Oxford University Press, 2015.

Urry, John. Mobilities, Cambridge: Polity, 2007.

Uttal, William R. The New Phrenology: The Limits of Localizing Cognitive Processes in the Brain. Boston: The MIT Press, 2001.

Wagner, Kim A. “Confessions of a skull: phrenology and colonial knowledge in nineteenth-century India.” History Workshop Journal 69.1 (2010): 27-51.

Walsh, Anthony A. “Phrenology and the Boston Medical Community in the 1830s.” Bulletin of the History of Medicine 50.2 (Summer 1976): 261-273.

Wells, Samuel Roberts. How to Read Character: A New Illustrated Hand-book of Phrenology, New York: Samuel R, Wells, 1873.

—-. “Was phrenology a reform science? Towards a new generalization of phrenology.” History of Science 42.3 (2004): 313-331.

Werry, Margaret. “Interdisciplinary Objects, Oceanic Insights: Performance and the New Materialism.” Theatre Historiography: Critical Interventions. Ed. Henry Bial and Scott Magelssen. Ann Arbor: University of Michigan Press, 2010. 221-234.

—. “House Arrest: Museological Performance, Animacy, and the Remains of Rural America.”Performing Objects and Theatrical Things. Basingstoke: Palgrave Macmillan, 2014. 76-88.

Willis, Martin, ed. Staging Science: Scientific Performance on Street, Stage and Screen. Studies in Literature, Science and Medicine. Basingstoke: Palgrave Macmillan, 2016.

Willis, Martin. Vision, Science and Literature, 1870-1920: Ocular Horizons, London: Pickering and Chatto, 2011.

Wolff, Tamsen. Mendel’s Theatre: Heredity, Eugenics, and Early Twentieth-Century American Drama. Heidelberg: Universiätsverlag Winter, 2009.

Van Wyhe, John. “The diffusion of phrenology through public lecturing.” Science in the Marketplace: Nineteenth-Century Sites and Experiences. Ed. Aileen Fyfe, Bernard Lightman. Chicago and London: University of Chicago Press, 2007. 60-96.

—. Phrenology and the Origins of Victorian Scientific Naturalism. Aldershot: Ashgate, 2004.

Young, R.M. Mind, Brain and Adaptation in the Nineteenth Century, Oxford: Clarenden, 1990.

Practice-Based Work

Andersson, Axel, and Scott Magelssen. “Performing a Viking History of America: The 1893 Voyage and Display of a VikingLongship at the ColumbusQuadricentennial.” Theatre Journal 69 (2017): 175-95.

Blum, Justin. “Stagings in Scarlet: Exploring History, Historiography, and Historicity with Late-Victorian Murder Melodrama.” Theatre Topics 23.2 (Fall 2013): 157-68.

Canning, Charlotte M. “Feminist Performance as Feminist Historiography.” Theatre Survey 45.2 (2004): 227–33.

Carter, Jill, Heather Davis-Fisch, and Ric Knowles. “Circulations: Visual Sovereignty, Transmotion, and Tribalography.” A Cultural History of Theatre in the Modern Age, vol. 6. Ed. Kim Solga. London: Bloomsbury Press, 2017. 95-116.

Daddario, Will. “Adorno, Baroque, Gardens, Ruzzante: Rearranging Theatre Historiography.” Theatre/Performance Historiography: Time, Space, Matter. Ed. Rosemarie K. Bank and Michal Kobialka. Palgrave Macmillan, 2015. 177-197.

Davis, Jim, Katie Normington, and Gilli Bush-Bailey with Jacky Bratton, “Researching Theatre History and Historiography.” Research Methods in Theatre and Performance. Ed. Baz Kershaw and Helen Nicholson. Edinburgh, 2010. 86-110.

Davis, Tracy C. “Performative Time,” Representing the Past: Essays in the Historiography of Performance. Ed. Thomas Postlewait and Charlotte Canning. University of Iowa Press, 2010. 142-67.

Foster, Susan Leigh ed. Choreographing History, Bloomington, IN: Indiana University Press, 1995.

Franco, Mark and Richards, Annette eds. Acting on the Past: Historical Performance Across the Disciplines, Hanover, NH and London: Wesleyan University Press, 2000.

Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Raleigh, Durham: Duke University Press, 2010.

Gallagher, Kathleen. “Theatre Pedagogy and Performed Research: Respectful Forgeries and Faithful Betrayals.” Theatre Research in Canada 28.2 (2007): 105-19.

Levin, Laura. “Locating the Artist-Researcher: Shifting Sites of Performance as Research (PAR) in Canada.” Mapping Landscape for Performances of Research: Scholarly Acts and Creative Cartographies. Ed. Shannon Rose Riley and Lynette Hunter. Palgrave Macmillan, 2009. 62-69.

—. “Theatre History Podcast #39: #39: Dr. Matthew Sergi and the Surprising Truth about Morality Plays.” Howlround.com. 17 July 2017, http://howlround.com/theatre-history-podcast-39-dr-matthew-sergi-and-the-surprising-truth-about-morality-plays.

Isbell, Mary. “Amateurs: Home, Shipboard, and Public Theatricals in the Nineteenth Century.” University of Connecticut, 2013. Diss.

Jenkins, Jacqueline. “Practice-based Research and Early Period Theatre Histories: A Performance Methodology.” Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/JaquelineJenkins.htm.

Kershaw, Baz. “Performance as Research: Live Events and Documents.” The Cambridge Companion to Performance Studies. Ed. Tracy C. Davis. Cambridge: Cambridge University Press, 2008. 23-45.

Magelssen, Scott, and Spalink, Angenette. “Performing Speciation: The Nature/Culture Divide at the Creation Museum.” Theatre/Performance Historiography: Time, Space, Matter. Ed. Rosemarie K. Bank and Michal Kobialka. Palgrave Macmillan, 2015. 20-37.

McCalman, Iain, and Paul A. Pickering, eds. Historical Reenactment: From Realism to the Affective Turn. Basingstoke: PalgraveMacmillan, 2010.

Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning. Ann Arbor: University of Michigan Press,2014.

Newey, Katherine. “Embodied History: Reflections on the Jane Scott Project.” Nineteenth Century Theatre and Film. 29.2 (2002): 66-70.

Nielsen, Lara D. “The Oral History Project: Practice-Based Research in Theatre and Performance.” Mapping Landscape for Performances of Research: Scholarly Acts and Creative Cartographies. Ed. Shannon Rose Riley and Lynette Hunter. Palgrave Macmillan, 2009. 164-170.

Pascoe, Judith. The Sarah Siddons Audio Files: Romanticism and the Lost Voice. Ann Arbor: University of Michigan Press, 2011.

Piccini, Angela. “An Historiographic Perspective on Practice as Research.” Studies in Theatre and Performance 23 (2003): 191-207.

Roms, Heike. “Mind the Gaps: Evidencing Performance and Performing Evidence in Performance Art History.” Theatre History and Historiography: Ethics, Evidence, and Truth. Ed. Claire Cochrane and Jo Robinson. Palgrave Macmillan, 2016. 163-179.

Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge, 2011.

Smith, Hazel and Roger T. Deans, eds. Practice-led Research, Research-led Practice in the Arts. Edinburgh, 2009.

Warren, John T. “Performative Pedagogical Interventions Embodying Whiteness as Cultural Critique.” Mapping Landscape for Performances of Research: Scholarly Acts and Creative Cartographies. Ed. Shannon Rose Riley and Lynette Hunter. Palgrave Macmillan, 2009. 179-184.

Aliano, Kelly. “A Ridiculous Space: Considering the Historiography of the Theatre of the Ridiculous.” Theatre/Performance Historiography: Time, Space, Matter. Ed. Rosemarie K. Bank and Michal Kobialka. Palgrave Macmillan, 2015. 41-54.

Andersson, Axel, and Scott Magelssen. “Performing a Viking History of America: The 1893 Voyage and Display of a VikingLongship at the Columbus Quadricentennial.” Theatre Journal 69 (2017): 175-95.

Blum, Justin. “Stagings in Scarlet: Exploring History, Historiography, and Historicity with Late-Victorian Murder Melodrama.” Theatre Topics 23.2 (Fall 2013): 157-68.

Canning, Charlotte M. “Feminist Performance as Feminist Historiography.” Theatre Survey 45.2 (2004): 227–33.

Carnicke, Sharon Marie. “Collisions in Time: Twenty-First-Century Actors Explore Delsarte on the Holodeck.” Mapping Landscape for Performances of Research: Scholarly Acts and Creative Cartographies. Ed. Shannon Rose Riley and Lynette Hunter. Palgrave Macmillan, 2009. 244-251.

Davis, Tracy C. “Performative Time,” Representing the Past: Essays in the Historiography of Performance. Ed. Thomas Postlewait and Charlotte Canning. University of Iowa Press, 2010. 142-67.

Filewod, Alan. “Regiments of the Theatre: Reenactment in Theatre and Military Culture. Theatre Research in Canada 25.1-2(Spring and Fall 2004): https://journals.lib.unb.ca/index.php/tric/article/view/4652/5514

Foster, Susan Leigh ed. Choreographing History, Bloomington, IN: Indiana University Press, 1995.

Foster, Susan Leigh. “Making a Dance/Researching Through Movement.” Mapping Landscape for Performances of Research: Scholarly Acts and Creative Cartographies. Ed. Shannon Rose Riley and Lynette Hunter. Palgrave Macmillan, 2009. 91-98.

Franco, Mark and Richards, Annette eds. Acting on the Past: Historical Performance Across the Disciplines, Hanover, NH and London: Wesleyan University Press, 2000.

Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Raleigh, Durham: Duke University Press, 2010.

Gallagher, Kathleen. “Theatre Pedagogy and Performed Research: Respectful Forgeries and Faithful Betrayals.” Theatre Research in Canada 28.2 (2007): 105-19.

Lane, Jill. “Hemispheric America in Deep Time,” Theatre Research International 35.2 (2010): 111-25.

Lueger, Michael. “Theatre History Podcast #35: “Get Thee to a Nunnery: Learning About Medieval Convent Drama with Dr. Elisabeth Dutton, Dr. Olivia Robinson, Dr. Matthew Cheung Salisbury, and Aurelie Blanc.” Howlround.com. 12 June 2017, http://howlround.com/theatre-history-podcast-35-get-thee-to-a-nunnery-learning-about-medieval-convent-drama-with-dr

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